![]() A few years ago, he read a book about the history of robotics - which included a chapter on the French filmmaker, an avid collector of automata. The film centers on Hugo Cabret (Butterfield), an orphan boy who lives in a train station in 1930s Paris and whose only companion is an automaton discovered. He spent the last years of his life working seven days a week at a toy booth in the Paris train station.Ī Trip to the Moon and the "crude magic" of its special effects fascinated author Selznick. The grumpy old man turns out to be George Melies, a real-life magician-turned-pioneering filmmaker, who in 1902 made the first science-fiction movie, A Trip to the Moon.Īlthough he made more than 500 films, Melies fell on hard times and lost his movie studio. The orphan is trying to fix something very special: an automaton - a complicated, windup figure - left behind when his clockmaker father died. Hugo lives in a train station and is great at fixing mechanical things, like a toy mouse. ![]() Hugo has been stealing windup toys from the old man's booth. Hugo Cabret: The main character, Hugo, is a 12-year-old boy who is an orphan. In a way, Georges Méliès has a similar relationship to the automaton, just not at first: I was haunted by those ghosts for so many years. Like the automaton in Brian Selznick’s magical, graphic novel The Invention of Hugo Cabret and Martin Scorsese’s wonderful film adaptation of the book now simply entitled Hugo, the machine. Born by the name of Krishna Pandit Bhanji, Kingsley’s career began in theater when he joined the Royal Shakespeare Company and spent around 15 years on stage. Along the way, readers also meet a young girl named Isabelle and her godfather, a gruff old man who runs a small toy booth in the train station. When Hugo finds the automaton, after his father’s death, it reminds him of their old life together, with his dad tinkering with things and telling his kiddo about the movies. Sir Ben Kingsley was appointed Knight Bachelor in 2002 for his services and actions in the film industry, but his five decade career had much more humble beginnings. The book tells the story of Hugo Cabret, an orphan who lives in a Paris train station. Hes an orphan who winds the clocks in Montparnasse Station a broken automaton leads him to a disgruntled and disenchanted toymaker who we gradually. ![]() Selznick, a well-known illustrator, has employed an experimental form in Hugo Cabret: He says the pictures pick up where the prose leaves off - and propel the story forward. In fact, finely detailed pencil drawings - unaccompanied by text - fill more than half the book's 500-plus pages. The opening pages of the children's book don't have any words, just black-and-white drawings on a black page. The beginning of the story called The Invention of Hugo Cabret unfurls like a miniature silent film - even though it is a book, written and illustrated by Brian Selznick.
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